Guatemala Citizen Action

Title 42 expired just one week ago today.  Biden’s new policy requires most migrants to prove they were denied asylum in a country they passed through en-route to the United States. Since Title 42 ended, the ACLU has sued the Biden administration to attempt to block new restrictions for asylum seekers.    Meanwhile, immigrants and asylum seekers are arriving at the border by the thousands each day. The conditions they flee are not going away. 

Accion Ciudadana is the Guatemalan Chapter of Transparency International, an organization that investigates and challenges governmental corruption.  Accion Ciudadana’s Executive Director Manfredo Marroquin and an investigator for the organization, Cesar Vega were in Seattle earlier this month, hosted by the organization, Global Visionaries. Marroquin and Vega talk about the role of the US in encouraging the current corruption in Guatemala. 

Producer: Yuko Kodama Special thanks to Joaquin Uy for help with the story. 

Photo: Accion Ciudadana

Transforming Intergenerational Pain into Inspiration and Strength

Photo: From

Lauren Iida

-YK
91.3 KBCS Music and Ideas. I’m Yuko Kodama

Lauren Iida is a local artist whose work Adorns public spaces including the Washington State convention center, Plymouth housing in Seattle and Uncle Bob’s place in Seattle’s Chinatown international district a cross from the wing luke museum. Her artwork is often themed around the Japanese American experience.

You see, Lauren Iida’s paternal grandparents and great grandparents were forcibly removed and incarcerated along- side about 120,000 Japanese Americans by the US government during WWII. The event scarred the family. Lauren Iida’s artwork, usually made of hand cut paper is often inspired by photos, documents and oral histories found through Densho,, a repository to document this historical time for Japanese Americans.

Iida describes the approach to her artwork.

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I create what I call paper cutaways, and they’re cut paper compositions that I make with a scalpel, like an Exacto knife.

I am biracial, my father is Japanese American – and the Japanese part of my heritage has always been kind of a mystery to me. Growing up as a child, I didn’t really have very much access to Japanese things – I think mostly because my grandmother was incarcerated during World War II at Tule lake. And after that, she tried to shed the stigma of the racism by raising her children in a very “American way”, so the only thing that made it down to me really was some Japanese foods. But I always looked at those things in a magical way. …Like, I wondered at those things….and I did want to know more when I was a kid, but there wasn’t really much information available to me. So as an adult, I’ve really focused on learning more and researching more on the topics of my Japanese heritage and being a Japanese American.

At first, I didn’t really know anything about any kind of history related to the incarceration of Japanese people, during World War II. I knew that it had happened, but it was such a small part of any conversation I ever had with my paternal grandmother, or with my father or really with anybody in my family. – So as I grew up, I sort of started to hear about it. I remember very briefly studying it at public school, but I had a lot of questions. – So as I grew up and discovered the Densho archives, I was really, really interested and fascinated by it. Just looking through all the photographs and documents and listening to oral histories.

And then I started to make art about it. But basically, as I got older, and I kept studying those things and researching those histories, I realized that it was natural to not really want to talk about those things for my grandmother especially. – And I understand why she wanted to put on an air of being very pro-America and very not-Japanese honestly. Because after being persecuted for her race, I can really understand why she raised her children that way, and why she acted that way. – But I think it’s a real shame. And it’s an injustice to me that I don’t get to know about my family heritage, my cultural heritage, because she was traumatized by the US government’s racist protocols. – And for a whole variety of reasons, many people are disconnected from their cultural heritage – displacement, if they’re refugees, if their parents were traumatized, if there was just a break in the lineage for any reason or break in the communication… I think it’s a really common situation that I’m in.

Regarding storytelling and passing down of information from our elders to us, it’s really complicated. – Because sometimes they don’t want to talk about things because of trauma. Because they don’t want to relive sad events for themselves. And sometimes they don’t want to burden us with negative or sad memories. And other times, I find that they just don’t think that it’s interesting. They’re surprised to learn that young people would think that their experience was interesting. My grandma Clara, who’s 102, She asked me the other day, “Why do you know so much about me? And why do you care?” And I said, because your life has been so fascinating and so interesting…and it’s been a source of inspiration for me and my artwork for many years…and it always will be. I study your life, and I’ve done a lot of research and I remember all the answers to all the questions that you give me. –And she laughed, like she was tickled by that.

I think it’s a really essential function of being a human being – finding out where we came from, and also trying to get the information that feels like it’s helping you put together the puzzle of who you are and who you want to be. When I learn more about the struggles that my ancestors and their peers went through, being incarcerated during World War II, it does give me more personal strength. I’m inspired by their stories, and I’m inspired by their optimism and their attitude and their strength and resilience, going through that really difficult time. (And) it does help me keep my own life struggles in perspective. (And) I think that is something that we often fail to do in our lives, especially in a privileged country like the United States.

There are people who are suffering around us here also in the US right now. And when we give something of ourselves to somebody else, and when we listen to somebody else’s story, we share an experience with them and we feel compassion for them. (and) We also learn something about ourselves. So, I really encourage people to, to share their stories and also listen to other people’s stories because everybody has a story, and the more we share our stories, the more we understand about each other, and hopefully the more we can get along.

-YK
That was local artist, Lauren Iida. She’s represented by ArtXchange. Iida will be unveiling a 30-foot paper memory net featuring symbolic objects from the book, Swimmers by Julie Otsuka. Tomorrow at 7 pm at the Seattle Public Library Central branch in downtown Seattle. For more information about the event and to support our work, you can visit kbcs.fm

April 4th Democracy Now

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Sankofa Impact – Autherine Lucy

KBCS New Streaming Link and Player

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Congresswoman Pramila Jayapal Town Hall

Pramila Jayapal

Remember and Resist 2023

February 19, 2023 was the 81st anniversary of Executive order 9066.  It ordered the forced removal and incarceration of over 120,000 people of Japanese descent from throughout the west coast. 

In commemoration, an event was held at the Washington State Fair Events Center in Puyallup, Washington.  The organizers were Minidoka Pilgrimage, JACL Seattle Chapter, JACL Puyallup Valley Chapter, La Resistencia and Tsuru for Solidarity.

Over 7,000  people were incarcerated in make-shift shelters and animal stalls on the fairgrounds in 1942  for about five months until the incarceration sites were completed. 

The event also included a gathering at Tacoma’s Northwest detention center to support the detainees inside and call for an end to immigrant detention and deportations.

Listen in on the voices and sounds from Remember and Resist 2023. 

Producer: Yuko Kodama

Photos: Widder Sessions

Northwest African American Museum

Children’s Film Festival Seattle

NW African American Museum’s African American Cultural Experience Choir

The Northwest African American Museum (NAAM) is possibly the only museum in the country to house a choir.  NAAM was closed for renovation until January, 2023. During the pandemic, the African American Cultural Experience choir became the mobile arm of the museum. The choral group shares Black/US history  with the community through music that expresses the Black experience. 

Listen in on this excerpt of a KBCS interview with NAAM President and CEO, LaNesha DeBardelaben about the significance of this choir.  

Producer: Yuko Kodama Special thanks to Jalisa Bass for contributing to editing

Photo: NAAM

Music Clips: NAAM ACE Choir and KNKX