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The on-air portion of our fund drive is over, but you can still help KBCS reach its goal by donating before June 30th. Please make a gift in support of your favorite KBCS programs today, and thank you in advance!

$65,000 Goal

62.15%

Drive ends: June 30, 2024

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Transforming Intergenerational Pain into Inspiration and Strength

 
Lauren Iida is a local artist, whose work adorns public spaces including the Washington State Convention Center, Plymouth Housing in Seattle and Uncle Bob’s place in Seattle’s Chinatown International District.  Her main medium is hand-cut paper. 
 
Iida’s Japanese American grandparents were incarcerated during WWII.  They were among 120,000  people of Japanese descent who were forcibly removed from the west coast into barracks in the deserts of the interior US.  She describes how she processes her family’s trauma, and how it’s inspired her artwork.
 
Iida is represented by ArtXchange Gallery. She’ll be unveiling a 30 foot paper memory net featuring symbolic objects from the book, Swimmers, written by Julie Otsuka, May 19th at 7 pm at the Seattle Public Library Central Branch in downtown Seattle. Otsuka will be speaking about the book.  Registration will be required for the event
 
Producer: Yuko Kodama
Photo: From
Lauren Iida

Lauren Iida

 
 
 
 
 
 
 

-YK
91.3 KBCS Music and Ideas. I’m Yuko Kodama

Lauren Iida is a local artist whose work Adorns public spaces including the Washington State convention center, Plymouth housing in Seattle and Uncle Bob’s place in Seattle’s Chinatown international district a cross from the wing luke museum. Her artwork is often themed around the Japanese American experience.

You see, Lauren Iida’s paternal grandparents and great grandparents were forcibly removed and incarcerated along- side about 120,000 Japanese Americans by the US government during WWII. The event scarred the family. Lauren Iida’s artwork, usually made of hand cut paper is often inspired by photos, documents and oral histories found through Densho,, a repository to document this historical time for Japanese Americans.

Iida describes the approach to her artwork.

-LI
I create what I call paper cutaways, and they’re cut paper compositions that I make with a scalpel, like an Exacto knife.

I am biracial, my father is Japanese American – and the Japanese part of my heritage has always been kind of a mystery to me. Growing up as a child, I didn’t really have very much access to Japanese things – I think mostly because my grandmother was incarcerated during World War II at Tule lake. And after that, she tried to shed the stigma of the racism by raising her children in a very “American way”, so the only thing that made it down to me really was some Japanese foods. But I always looked at those things in a magical way. …Like, I wondered at those things….and I did want to know more when I was a kid, but there wasn’t really much information available to me. So as an adult, I’ve really focused on learning more and researching more on the topics of my Japanese heritage and being a Japanese American.

At first, I didn’t really know anything about any kind of history related to the incarceration of Japanese people, during World War II. I knew that it had happened, but it was such a small part of any conversation I ever had with my paternal grandmother, or with my father or really with anybody in my family. – So as I grew up, I sort of started to hear about it. I remember very briefly studying it at public school, but I had a lot of questions. – So as I grew up and discovered the Densho archives, I was really, really interested and fascinated by it. Just looking through all the photographs and documents and listening to oral histories.

And then I started to make art about it. But basically, as I got older, and I kept studying those things and researching those histories, I realized that it was natural to not really want to talk about those things for my grandmother especially. – And I understand why she wanted to put on an air of being very pro-America and very not-Japanese honestly. Because after being persecuted for her race, I can really understand why she raised her children that way, and why she acted that way. – But I think it’s a real shame. And it’s an injustice to me that I don’t get to know about my family heritage, my cultural heritage, because she was traumatized by the US government’s racist protocols. – And for a whole variety of reasons, many people are disconnected from their cultural heritage – displacement, if they’re refugees, if their parents were traumatized, if there was just a break in the lineage for any reason or break in the communication… I think it’s a really common situation that I’m in.

Regarding storytelling and passing down of information from our elders to us, it’s really complicated. – Because sometimes they don’t want to talk about things because of trauma. Because they don’t want to relive sad events for themselves. And sometimes they don’t want to burden us with negative or sad memories. And other times, I find that they just don’t think that it’s interesting. They’re surprised to learn that young people would think that their experience was interesting. My grandma Clara, who’s 102, She asked me the other day, “Why do you know so much about me? And why do you care?” And I said, because your life has been so fascinating and so interesting…and it’s been a source of inspiration for me and my artwork for many years…and it always will be. I study your life, and I’ve done a lot of research and I remember all the answers to all the questions that you give me. –And she laughed, like she was tickled by that.

I think it’s a really essential function of being a human being – finding out where we came from, and also trying to get the information that feels like it’s helping you put together the puzzle of who you are and who you want to be. When I learn more about the struggles that my ancestors and their peers went through, being incarcerated during World War II, it does give me more personal strength. I’m inspired by their stories, and I’m inspired by their optimism and their attitude and their strength and resilience, going through that really difficult time. (And) it does help me keep my own life struggles in perspective. (And) I think that is something that we often fail to do in our lives, especially in a privileged country like the United States.

There are people who are suffering around us here also in the US right now. And when we give something of ourselves to somebody else, and when we listen to somebody else’s story, we share an experience with them and we feel compassion for them. (and) We also learn something about ourselves. So, I really encourage people to, to share their stories and also listen to other people’s stories because everybody has a story, and the more we share our stories, the more we understand about each other, and hopefully the more we can get along.

-YK
That was local artist, Lauren Iida. She’s represented by ArtXchange. Iida will be unveiling a 30-foot paper memory net featuring symbolic objects from the book, Swimmers by Julie Otsuka. Tomorrow at 7 pm at the Seattle Public Library Central branch in downtown Seattle. For more information about the event and to support our work, you can visit kbcs.fm

 

Open Studio Cambodia Exhibit

How are Cambodian artists approaching contemporary art today? Lauren Iida is an Artist and  Founder of Open Studio Cambodia, an artist collective based in Siem Reap, Cambodia. Iida founded this organization in  2018.  It mentors, represents, and provides supplies and communal studio and gallery space to a small group of local Cambodian contemporary artists.

KBCS spoke with Iida at The Vestibule in Ballard, where Open Studio Cambodia artists’ work is featured through December 17th in the exhibit, Starting to Work Again: Contemporary Cambodian Art.  She describes the contemporary art scene in Cambodia today and introduces some of the artists featured in this exhibit.

Producer: Yuko Kodama

Photo: Lauren Iida

Lauren Lida

Lauren Lida

The Power of the BTS/ARMY Relationship

BTS, the South Korean music group has taken the global music scene by storm, breaking records in numbers of albums sold and spun, twitter follows, number of fans, sold out concerts and much more. 

Their influence has been noted by many, including governmental officials who have tried to suppress BTS’s reach and image in public. This story looks at who they are, their work and social reach in partnership with their fanbase, ARMY.

Reuters graph of BTS/ARMY fundraising for Black Lives Matter

Producer: Yuko Kodama – special thanks to Sam Sullivan, Christine Marasigan, Nancy Yang, Candace Epps-Robertson, Laura Mundt, Angela Young and Sherry Lynn Reynolds Anderson

Photo: Ashley[epidemic]

Artist, Lauren Iida

 
Lauren Iida is an artist who works with cut paper and paint.  Iida is artist-in-residence with Densho Project.  She recently completed an art installation for Densho Project’s community space.   The piece was created in commemoration of the 80th anniversary of the day Franklin D. Roosevelt signed  Executive Order 9066.  This order authorized the US military to forcibly remove and incarcerate 120,000 people of Japanese descent in relocation centers across the United States in during WWII. 
 
Listen in on excerpts of an interview with Lauren Iida.
 
 
Producer: Yuko Kodama
 
Photo: courtesy of Lauren Iida
 
 

Artists in a Time of Monsters

Reverend Osagyefo Sekou  is a Musician and Theologian in Residence at Seattle’s Valley and Mountain Fellowship.  Reverend Sekou discusses art and its role in social movements.

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Renton Street Poet

KBCS’s Gol Hoghooghi met Garold Rainier, a poet on the street. Listen in on how he navigates life since the 2008 economic crash and a serious accident.

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The Artist Behind Street Flower Arrangements

Across the street from Cal Anderson Park in Seattle’s Capitol Hill Neighborhood, you might come across a cluster of found jars and bottles arranged with  wildflowers and greenery that you would see growing through cracks in the asphalt of any parking lot.  (more…)

Unmute the Commute: The SODO Busway Murals

There’s an art gallery in Seattle only accessible by public transit. Today on Unmute the Commute, the SODO Busway Murals. Produced by Ann Kane.

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Native Art: Louie Gong

In this series, Louie Gong, Eighth Generation founder and Seattle Nooksack artist, explains “native inspired” doesn’t mean a native artist crafted the piece. He also shares his story about how he got involved in a project to enliven a local transitional shelter with genuine native art.  The goal was to inspire change in the lives of the local people transitioning from homelessness to housing.

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New Murals Bring Art to the SoDo Track

Two miles of Seattle’s downtown warehouse district are getting a new look!

Artists from around the world and the Seattle area have been commissioned to paint vibrant murals along the SoDo Track–the transit corridor between 4th and 6th avenues only accessible to Light Rail and Metro buses.

You can find a map of the SoDo Track murals here. An Opening Event is being held tomorrow, August 6th, from 6-9pm, with entertainment for all ages.