Skip to content

Summer Fund Drive Progress

The on-air portion of our fund drive is over, but you can still help KBCS reach its goal by donating before June 30th. Please make a gift in support of your favorite KBCS programs today, and thank you in advance!

$65,000 Goal


Drive ends: June 30, 2024

Please enable your javascript to have a better view of the website. Click here to learn more about it.

Transforming Intergenerational Pain into Inspiration and Strength

Lauren Iida is a local artist, whose work adorns public spaces including the Washington State Convention Center, Plymouth Housing in Seattle and Uncle Bob’s place in Seattle’s Chinatown International District.  Her main medium is hand-cut paper. 
Iida’s Japanese American grandparents were incarcerated during WWII.  They were among 120,000  people of Japanese descent who were forcibly removed from the west coast into barracks in the deserts of the interior US.  She describes how she processes her family’s trauma, and how it’s inspired her artwork.
Iida is represented by ArtXchange Gallery. She’ll be unveiling a 30 foot paper memory net featuring symbolic objects from the book, Swimmers, written by Julie Otsuka, May 19th at 7 pm at the Seattle Public Library Central Branch in downtown Seattle. Otsuka will be speaking about the book.  Registration will be required for the event
Producer: Yuko Kodama
Photo: From
Lauren Iida

Lauren Iida


91.3 KBCS Music and Ideas. I’m Yuko Kodama

Lauren Iida is a local artist whose work Adorns public spaces including the Washington State convention center, Plymouth housing in Seattle and Uncle Bob’s place in Seattle’s Chinatown international district a cross from the wing luke museum. Her artwork is often themed around the Japanese American experience.

You see, Lauren Iida’s paternal grandparents and great grandparents were forcibly removed and incarcerated along- side about 120,000 Japanese Americans by the US government during WWII. The event scarred the family. Lauren Iida’s artwork, usually made of hand cut paper is often inspired by photos, documents and oral histories found through Densho,, a repository to document this historical time for Japanese Americans.

Iida describes the approach to her artwork.

I create what I call paper cutaways, and they’re cut paper compositions that I make with a scalpel, like an Exacto knife.

I am biracial, my father is Japanese American – and the Japanese part of my heritage has always been kind of a mystery to me. Growing up as a child, I didn’t really have very much access to Japanese things – I think mostly because my grandmother was incarcerated during World War II at Tule lake. And after that, she tried to shed the stigma of the racism by raising her children in a very “American way”, so the only thing that made it down to me really was some Japanese foods. But I always looked at those things in a magical way. …Like, I wondered at those things….and I did want to know more when I was a kid, but there wasn’t really much information available to me. So as an adult, I’ve really focused on learning more and researching more on the topics of my Japanese heritage and being a Japanese American.

At first, I didn’t really know anything about any kind of history related to the incarceration of Japanese people, during World War II. I knew that it had happened, but it was such a small part of any conversation I ever had with my paternal grandmother, or with my father or really with anybody in my family. – So as I grew up, I sort of started to hear about it. I remember very briefly studying it at public school, but I had a lot of questions. – So as I grew up and discovered the Densho archives, I was really, really interested and fascinated by it. Just looking through all the photographs and documents and listening to oral histories.

And then I started to make art about it. But basically, as I got older, and I kept studying those things and researching those histories, I realized that it was natural to not really want to talk about those things for my grandmother especially. – And I understand why she wanted to put on an air of being very pro-America and very not-Japanese honestly. Because after being persecuted for her race, I can really understand why she raised her children that way, and why she acted that way. – But I think it’s a real shame. And it’s an injustice to me that I don’t get to know about my family heritage, my cultural heritage, because she was traumatized by the US government’s racist protocols. – And for a whole variety of reasons, many people are disconnected from their cultural heritage – displacement, if they’re refugees, if their parents were traumatized, if there was just a break in the lineage for any reason or break in the communication… I think it’s a really common situation that I’m in.

Regarding storytelling and passing down of information from our elders to us, it’s really complicated. – Because sometimes they don’t want to talk about things because of trauma. Because they don’t want to relive sad events for themselves. And sometimes they don’t want to burden us with negative or sad memories. And other times, I find that they just don’t think that it’s interesting. They’re surprised to learn that young people would think that their experience was interesting. My grandma Clara, who’s 102, She asked me the other day, “Why do you know so much about me? And why do you care?” And I said, because your life has been so fascinating and so interesting…and it’s been a source of inspiration for me and my artwork for many years…and it always will be. I study your life, and I’ve done a lot of research and I remember all the answers to all the questions that you give me. –And she laughed, like she was tickled by that.

I think it’s a really essential function of being a human being – finding out where we came from, and also trying to get the information that feels like it’s helping you put together the puzzle of who you are and who you want to be. When I learn more about the struggles that my ancestors and their peers went through, being incarcerated during World War II, it does give me more personal strength. I’m inspired by their stories, and I’m inspired by their optimism and their attitude and their strength and resilience, going through that really difficult time. (And) it does help me keep my own life struggles in perspective. (And) I think that is something that we often fail to do in our lives, especially in a privileged country like the United States.

There are people who are suffering around us here also in the US right now. And when we give something of ourselves to somebody else, and when we listen to somebody else’s story, we share an experience with them and we feel compassion for them. (and) We also learn something about ourselves. So, I really encourage people to, to share their stories and also listen to other people’s stories because everybody has a story, and the more we share our stories, the more we understand about each other, and hopefully the more we can get along.

That was local artist, Lauren Iida. She’s represented by ArtXchange. Iida will be unveiling a 30-foot paper memory net featuring symbolic objects from the book, Swimmers by Julie Otsuka. Tomorrow at 7 pm at the Seattle Public Library Central branch in downtown Seattle. For more information about the event and to support our work, you can visit


Honoring the Nikkei Farmers of Bellevue

Prior to World War II, Bellevue, Washington was home to a powerful and vibrant Japanese American community.  In 1942 the United States government forcibly evacuated and incarcerated sixty Japanese American farming families from Bellevue.  They were among 120,000 Japanese Americans who were sent to incarceration camps from along the west coast.  
After the war, only a handful of these families returned to Bellevue because many of them lost their land and work here. 
Local artist, Michelle Kumata and creative director, Tani Ikeda, honor this community with an art display at Bellevue Arts Museum.  It’s titled ‘Emerging Radiance: Honoring the Nikkei Farmers of Bellevue.  
Kumata also has a solo exhibit titled Regeneration at Bonfire Gallery in Seattle’s Chinatown International District through April 7th
Audio Story Producer: Yuko Kodama
Photo: Courtesy of Michelle Kumata Taken by John Lok

Artist, Lauren Iida

Lauren Iida is an artist who works with cut paper and paint.  Iida is artist-in-residence with Densho Project.  She recently completed an art installation for Densho Project’s community space.   The piece was created in commemoration of the 80th anniversary of the day Franklin D. Roosevelt signed  Executive Order 9066.  This order authorized the US military to forcibly remove and incarcerate 120,000 people of Japanese descent in relocation centers across the United States in during WWII. 
Listen in on excerpts of an interview with Lauren Iida.
Producer: Yuko Kodama
Photo: courtesy of Lauren Iida

Remember and Resist – Day of Remembrance

On February 19th, a number of Japanese American organizations and La Resistencia partnered to observe the 80th anniversary of Executive Order 9066, signed by President Franklin Roosevelt.  This act authorized the US military to forcibly remove and  incarcerate 120,000 people of Japanese descent across the west coast in 1942. 
The action started at the Puyallup Fairgrounds. Most Japanese Americans in the Seattle area were detained at the Puyallup Assembly Center before their transfer to concentration camps at Minidoka, in Idaho and Tule Lake, in California. Formerly incarcerated Japanese American elders attended alongside their families and the public.   Then the group gathered at the ICE Northwest detention facility in Tacoma to raise their voices in support of the detainees inside. 
 Listen in on some of the speakers and sounds from the event.
Producers: Kasumi Yamashita and Yuko Kodama
Photo: Pictured are Kennedy Philbrick (left) and Erin Matsuno (right). Photo taken by Kasumi Yamashita

Who Helped When We Were Incarcerated

On Feb 19, 1942 Franklin Delano Roosevelt signed an Executive Order authorizing the involuntary evacuation of Japanese American people from the West Coast to relocation centers throughout the country. As a result, most of the US Japanese and Japanese American population, 120,000 people, were forcibly incarcerated.
Paul Tomita was sent to Minidoka Relocation Center in Idaho with his family when he was a toddler. Today he advocates against the current detention of immigrants. He starts this story by describing his participation in an action at Fort Sill army post where child detainees were proposed to be held by ICE in 2019.

Producer: Gol Holghooghi and Yuko Kodama

Photo: Paul Tomita

(Audio story to be posted soon!)


Day of Remembrance Remember and Resist Event 2/19/22

Saturday, February 19, 10:00 am–1:00 pm
At 10 am, meet at the Puyallup Fairgrounds (Blue Lot Parking, 311 10th Ave SE, Puyallup, WA 98372).
At 11 am, we will move to the Northwest Detention Center (1623 E J Street, Tacoma WA 98421) for a continuation of the program starting at 12 pm.

Weather permitting, there will be some outdoor programming. Masks and social distancing required.

February 19, 2022, will mark 80 years since the signing of Executive Order 9066, which authorized the forced removal and mass incarceration of all Japanese Americans on the West Coast and beyond. Most Japanese Americans in the Seattle area spent their first few months in detention at the Puyallup Fairgrounds (“Camp Harmony”) until their transfer to the concentration camps at Minidoka, ID, and Tule Lake, CA. The trauma of family separation, child imprisonment, poor sanitation, bad food, inadequate health care, and uncertain futures persists—and continues today at the Northwest Detention Center (NWDC) in Tacoma.
Gathering in the same location where barracks once housed incarcerees, survivors, their families, and community members will share the history of Camp Harmony and personal experiences there, before rallying at NWDC to remember and resist the injustices of the past and present. The program will also include a live taiko drumming performance by Fuji Taiko and a special ceremony to remember Japanese American concentration camps and incarcerates.
For RSVP or information:

Notes: Dress warmly. There will be one porta-potty facility available on the Puyallup site. Feel free to
bring signs, tsuru and noisemakers for the Tacoma portion of the program!

Takeaways from Japanese American Stories of Incarceration

For the past 24 years, Tom Ikeda, the founding Executive Director of Densho and his staff have been conducting oral histories of Japanese Americans who have endured the painful experience of being forcibly removed from their homes and incarcerated en masse by the United States government.


Harassment of Japanese Americans After the Pearl Harbor Bombing

After the Japanese military attacked Pearl Harbor, Japanese American communities in the United States faced growing animosity from their neighbors.   Dr. Roy Ebihara was eight years old at the time.  Dr. Ebihara recounts how terrifying it was living in New Mexico within the months after the US entered WWII.  Tom Ikeda of the Seattle-based, Densho Project interviewed him.


Henry Miyatake’s Suitcase

In 1941, Henry Miyatake befriended a Jewish boy who had fled Poland with his family.  They went to the same middle school during WWII.  This is a story about their relationship, before Miyatake and his family were incarcerated by the US government.   Tom Ikeda, Densho Project Co-Founder interviewed Miyatake and recounts the story.


The Local Japanese American Community after Pearl Harbor

On December 7th, 1941,  Japan’s military attacked Pearl Harbor.  On December 8th, the following day, the United States declared war on Japan.

This series of events forever changed the lives of the Japanese American community along the west coast of this country.  This set of excerpts from the Densho Project oral histories, highlight what some of the younger local Japanese Americans experienced at that time.

Special thanks to the Densho Project for the audio.

Producers: Jim Cantu, Devin Williams and Yuko Kodama

Image: from the Densho Project

Commemoration of the Bombing of Hiroshima

On August 6, 1945, the United States dropped an atomic bomb on Hiroshima, Japan, resulting in estimates of over 200,000 deaths within months of the event. This was the first of two of the only nuclear weapons used on civilians in the world’s history.

Shirley Shimada’s family is from a fishing village outside of Hiroshima. She shares her family’s stories about how bewildered the Japanese people were with the impact of this new munition. (more…)